Basic MIC Techniques

Voice actors being "angels" inside a professional studio need not touch equipments. Ah.. but what if your powers are called to action - live? Everyday I'll post you basic Mic Techniques you can keep in mind when talking in public and formal engagements.. and share experiences of course!

1. Audition the Mic.
- Never blow, tap or whistle on the mic. It's very annoying and unprofessional. To properly test mike signals, snap your fingers on the receiver. Make gestures and hand signals to the technician, before speaking. Its always funny to see people talking on "first-hand" mics and fumbling on stage.. you dont want that experience, believe me. ;D

2. Hold it properly.
- Don't hold the mic by the head, sideways or upwards.. Dynamic mics, the kind usually used for solo performers and live speakers are better spoken over to, and not directly. So the best way for you to do this is to hold the mic by the stem, slightly slanted, and about 2 inches away from the tip of your chin. Oh, and the way for you to estimate that, is by using your thumb to measure the distance. (Just don't hold talk and hold it like that every time). Remember talk over it. Not directly at it.

3. Never Kiss the Mic.
- You do not let your lips damp the rim or the protective metal shell of a dynamic mic. Especially if you are doing it in a live performance. It destroys the quality of the pick-up. And the bigger reason being, is that people handle these mics differently every time. As we talk the breath contains moisture that gets into the foam, and may culture the growth of fungi and bacteria, and degrade the metal cover with rust.

Note that some lights and sounds setup provider, claim that they treat the mics with alcohol (yeah, sure.) But have you ever wondered why some mics have that funky smell?.. Its because it hasn't been properly disinfected, and you're romancing it.

4. Do not shout.
- Microphones are built to help you in your performance. Most amateur VO talents shout on the mic in big crowds and venues. This is a no, no. Believe it or not, even Michael Buffer is not actually shouting before that boxing match.. If you are finding it difficult to speak because you cant hear yourself, ask the technician to raise the volume of your monitor speakers (the ones infront/side of the stage, usually). You can also use a headset to monitor the level of your voice when performing as a VO. This will help you cope with the delays in audio in large venues.. It is very hard to talk when you dont have a good ear, so make sure you are covered by doing auditions of your lines before hand.

5. Think before speaking.
- Complete the thoughts in your head thoroughly before talking. Haven't you noticed why some people eat their words, fumbling at the act and in turn making them totally incomprehensible? (cue dubbing line: "Anong sabi mo?!") That's because their brain is thinking faster than their body can react. They thought that the idea has been completed in their heads, to the point that they think they already said that matter to you even if they didn't. (Does that make any sense?) Ok wait.. Its like, trying to match your brainwaves with the speed of your lips - which is almost certainly is impossible. This also commonly happens to bloggers/writers who thinks so fast while typing and jumps a word or two.

Though some may argue that this is normal at times (in an abnormal fashion I guess). When behind the microphone, facing an audience or unseen, that is.. things are definitely different. So the rule is: Complete the thought. Practice your material. Then perform.

There's a saying in the world of Voice Overs which goes: "You are only good as your last performance."

The VoX Club Radio Show Episode 1

I finally made it.. Though I think I may have overdid it.

This is the 1st episode of The VoX Club Radio Show. It's always hard to setup your initial episode, but I'm glad its finally out. From now on every week, I will try to delight you with the best tips and tricks of the trade, voice over news from around the globe, and memorable audio to feed your imaginative ears. Combine this with my weekly studio adventures and you get yourself one hell of a Voice Over Program.

Unlike other voice over podcast, the VoX Club Radio show features innovative and creative delivery of information. No more "hear say" on how to do it. I'll train with you so you can achieve the results you deserve. With my many years of training in audio production, I'll make sure you get the best of what the business of Voice Overs has to offer.

So please enjoy listening to this show. The VoX Club Radio Show can now be heard online thru: voxclub.podomatic.com

You can also download the full episode here: EPISODE 1

If you'd like to know more how I can help you start your podcast, give me a shoutout at: voxclub.ph@gmail.com and I'll send you a free article on 5 steps to creating your podcast.

If you like what you hear and would like to book Dj BigBrian for your program, advertisement or event, email me direct at: bigbrian78@gmail.com

Voice Over Show soon to hit radio.

Voice Over Show soon to hit radio.
Makati, Philippines.

Voice Over coach and performer, Brian Mathew Ligsay launches the new VoX Club Radio Show podcast this weekend. Highlighting news and views from the industry of voice acting, the show also promises reviews on technology and achievements made by people from the advertising and voice acting world here and abroad.

“It’s about time that voice actors and enthusiasts, know what’s going on around,” Ligsay adds that the weekly podcast show will feature skits, comedy, audio technology, and sound clips from around the globe. His hope, he mentions is to bring out and showcase the Filipino talent amongst us.

Ligsay is a veteran voice performer, director and developer of the 1st Voice Acting class in the Philippines – VoiceWorx! He heads the Philippine Center for Voice Acting where his business partner and friend, Pocholo “The Voicemaster” Gonzales manages the parent company CreatiVoices Productions.

Both are credited to be the top voice performers of the country, tying local and international projects under their belts in their 27 years of combined industry experience. In the interview, Ligsay says that the show will be aired over local radio stations in a few months time.

The podcast airs 9:00pm Sunday (+8:00 GMT), and every Sunday thereof over http://voxclub.podomatic.com. for more inquires you can visit their official blog at: http://voiceoverguide.blogspot.com or email:voxclub.ph@gmail.com

So it begins.

This is the Voice Over Club, Philippines Chapter by seasoned voice coach, author and performer Brian Mathew Ligsay. Join him, as he talks about his experiences on voice acting, trends, tips and tricks of the trade, and technology involving people who speak behind the mic. Now you can learn first hand what it takes to be a good talent, a host and a speaker. See how voice acting can do wonders for your speaking engagements, personality, outlook and huge improvements on your conversational skills. If you can speak, then you can learn how to act and perform.. For questions, email: voxclub.ph@gmail.com

Creativoices announces it's breakthrough voiceover seminars.

Creativoices announces it’s breakthrough voiceover seminars.

Do you love voice acting? Can you do voices for a living or as an art? Or are you are actively involved in preparing materials for speaking, or your work requires you to meet people and carry conversations well? Then read along. Creativoices Productions, the creator of 7 seasons of the premier Voice Acting and Dubbing workshop in the Philippines - VoiceWorx!, announces their newest activities this summer.

Dubbed as “Summer VoiceOver Funtasy!” It involves participants exploring the potentials of their voice acting career with advance learning tools and techniques in Radio Commercials, Radio Drama, Script Reading, Mic handling, and Voice Over marketing. And now they will also be providing an exclusive Children’s Voice Acting Workshop this summer.

The classes will start as follows:

SUMMER VOICEOVER FUNTASY!

Radio Advertising Voice Over Workshop!!
March 2 and 3 CLASS A-RAV
March 4 and 5 CLASS B-RAV
March 6, 2009 GRADUATION

Advance Voice Acting and Radio Drama Workshop!!
March 9 and 10 CLASS A-RAD
March 11 and 12 CLASS B-RAD
March 13, 2009 GRADUATION

Children’s Voice Acting Workshop (10- 16 years old only)
March 16 and 17 CLASS A-CVA1
March 18 and 19 CLASS B-CVA1
March 20, 2009 GRADUATION

Children’s Voice Acting Workshop (10- 16 years old only)
March 23 and 24 CLASS A-CVA2
March 25 and 26 CLASS B-CVA2
March 27, 2009 GRADUATION


“The class will do more activities than ever, that involves working with the mic and less with the pen”, says Brian Ligsay VoiceWorx Director of CreatiVoices. Ligsay who is an accomplished performer, was hired recently by Rosetta Stone, Inc. as a Voice Director/Coach to work on their Filipino/Tagalog software program. CreatiVoices, he claims has successfully produced over a hundred voice over enthusiasts, bringing their total database of available on-call voice talents, close to a thousand.

“And that’s what producers are looking for nowadays in voice over production.. effeciency, diversity, creativity,” adds Pocholo Gonzales, Managing Director of the company. Gonzales is also known as the Voicemaster, who’s consummate performance is heard on TV, Radio and the Internet. He also recently starred in the animation movie DAYO Sa Mundo ng Elementalia Official entry to the 2008 Metro Manila Film Festival. He was the only professional Voice Artist among the Cast of Actors.

The summer workshop features professional voice performers and directors working closely with students in a strict all recording facility and studio at the heart of Makati City. So get ready to explore your talents this summer. Join the workshop and excel your skills in voice acting. Don’t hesitate to call, because in the world of success… it’s always first come, first served.

For details contact them at:

239-6468 or 970-0971
Text us at: 09195731714/09272404886
Email us at: info@creativoices.com, brian@creativoices.com
Visit our website: www.creativoices.net and creativoices.com
Our Studio address link online: http://creativoices.net/blog/?page_id=8
Official social network: www.voiceworx.ning.com

Get ready for VoiceWorx! 6

A New Breed of Voices.

By: The Godpodder

For many years, the word “voice over” have been implied as an easy-paying, non-popular, spur of the moment sideline, that only a select few of “big voices” can take on it. In fact, many thought that doing voice overs is so easy, that practically anyone can jump right into it and earn big time. And that all that is required is for you to have is a booming, modulated, “voice of god” type of resonance to pull it off.

The part of earning big might be true to some extent, but for the most part, everything about doing voices is now considered to be more difficult than any regular paying job. Thanks to technology, doing Voice Overs or Voice Acting has now earned a reputation of being exclusive to those of the extraordinary, is slowly being accepted as a career of choice, and in reality... Voice acting is a painstaking form of art.

Yes, technology now plays a vital role to a Voice actor’s dream of making it a career. People who are looking at this not just as a hobby, consider making the important step before entering the industry - researching and learning. Now you can browse the internet to find acting classes, lessons and voice coaching in your area. And by learning and experiencing the execution needed to land those VO jobs, voice actors and enthusiasts are discovering a new and better approach to their performances and in return give more value to their talent.

That’s what VoiceWorx! - Basic Voice Acting and Dubbing Workshop prepares you for.

“It’s a workshop aimed to introduce to you the voice acting world, and how you can master the techniques and skills of the art. You will have to learn how to speak and work by heart.” Says Brian Ligsay, who is the Head Voice Coach and Voiceworx! Director. He claims that the workshop produces learned voice talents, equipping them with what they need to prepare for, when the occasion arises.

“Being a voice over is not far from taking a four year engineering course in college… you just don’t become one overnight,” Ligsay adds. “And even after you finish your degree, you would still have to know how to apply what you’ve learned in “real” life. The good news is, with the knowledge you have, you’re far ahead than anyone in your age to land a job of your choice and keep it.”

“VoiceWorx! has been training enthusiasts and voice talents since 2005, and is continually producing new voices for clients.” Pocholo Gonzales, CEO and Managing Director of Creativoices Productions - which is widely known as a voice talent agency, and the same company who brought Voiceworx! to life. He also exclaims that, “You work with the best Voice Directors in the industry, and train with them so that you don’t venture into it alone..”

This time, a new breed of Voice Overs are coming into place, VoiceWorx! 6, starts this October 4, 2008 and runs for two months every Saturdays. Out of hundreds of interested parties, only 20 students were accepted. And they will learn how to appreciate voice acting, and study with acclaimed Dubbing Directors, Danny Mandia, Neil Tolentino and Alexx Agcaoili.

This workshop offers new insights into the latest trend and development in the voice acting world. With tips and tricks from professionals who have honed their skills thru many years of experience. It also features a manual edition of the Philippine Handbook on Voice acting, to guide the privileged during the entire course. Plus one-on-one voice coaching, road mapping scripts and translations, actual recording and dubbing sessions, and countless mock auditions.

For the longest time, people who ventured into voiceovers are taking into account the traditional and natural selection process that goes around in the industry. Through customary referrals and PR, you get more of the gimmick in the advertising world. This tiring process of whom you know and who knows you is the lifeblood of your next performance. Traditional voice talents are only hopeful that their regular client will always consider them for the next job. “They just wait and wait, without acting,” Gonzales says. Adding that talents should know how to create the demand.

But some are wiser to help themselves and not rely on this conventional form of getting voice over “gigs”. Those who are serious, aim for the better and more beneficial way of staying in the business, that said, considering it as a business. And by investing time, effort, and money to learn the field of voice acting, and marketing your talent - it will produce you better results and open new doors of success.

“Voice acting is not everyone, but should you decide to pursue it.. it will release the kid in you, and turn your voice into something you have never imagined possible,” Ligsay mentioned. “And maybe, just maybe, you’ll turn out to be a mutant of a voice after all!”

- - - -

Voiceworx! – Basic Voice Acting and Dubbing Workshop, is only offered 4 times a year. For more information on the next schedule, please call 729-7274/970-0971. You can also email: info@creativoices.com or brian@creativoices.com. Visit our websites at creativoices.com, creativoices.net and our official blog at pcva.blogspot.com. For pictures and forums visit http://syvapnetwork.ning.com

Voice Actors Vs. On-Screen Talents

In my many years as a professional voice performer and producer, I often encounter comparisons to a trend in the industry about Screen Actors taking the job of those who have been doing it decades. This popularity of On-cam Personalities performing behind them mike is nothing new, however it has been a rising factor in movie theaters and animated features nowadays.

Animation is the reality of imagination. The justice to any script for which, depends entirely on the voice actor’s performance. That is why voice overs, require a unique set of skills and mastery of the art, in order to deliver what the animator intends to show. No matter how good an animation is, if you have a poor set of voices, you will end up with something that is worthless. However, if you have a simple animation on hand, but with an exceptional lineup of voice actors, you will be surprised with the results. Here are some pointers why hiring a voice actor against an on-cam actor is beneficial for your animation project.

	VOICE ACTOR	ON-CAM ACTOR/MODEL
BUDGET	Relatively Cheaper	20-30 times more expensive
AVAILABILITY	Always	Depending on project/product restrictions
KNOWLEDGE OF THE CRAFT	Perfect	May need to attend workshops and 1 on 1 coaching
MIC SKILLS	Honed thru years of experience	Many are working 1st time on dubbing or voice overs
PERFORMANCE	Flawless	May have difficulty coping up with the microphone
INDUSTRY POPULATION (NO. OF TALENTS)	5 times more the number of on-screen actors	Those who only made an on-screen debut are considered actors
VOICES	Exponential	Limited to Conversational
VOICE QUALITY	Perfect behind the mic	May require additional tuning
EXPOSURE	Popular with a niche market/captured following	Has on-cam/modeling advantages
CHARACTERIZATION	Can work with new set of voices, and experiment. Many voice actors can do atleast 5 voices	Maybe thrown off with the idea of changing his/her voice. Limited to 1
KNOWLEDGE OF RECORDING	Adept	Enough
KNOWLEDGE IN PROCESSES	Knows exactly what’s going on behind the booth	Some Familiar. Some Not.
OVER-ALL PERFORMANCE FOR ANIMATION	None better	Exceptionally few
ABILITY TO SYNCH AND IMPROVISE (faced with reactions)	Effortless. Cutting recording time by 75%	Will depend on what the director says and the material. May need to spend more time on recording
SCHEDULING	Always present, easily managed. No star complex	Will have to be adjusted for appearances and confirmation

Like they say, kids go to movies to watch and love the story. They do not care if an on-cam actor is doing the part or a voice over. What is important is that they believe and react to the characters, and be motivated by it.. by statistics anyone can easily spot who can deliver the story between the two. You can always get a screen actor to do the job, but you can never beat a voice over’s performance.

You be the judge of which.